It Chapter Two is chunkier, less streamlined, and less scary, but it offers a satisfying ending to a whopper of a tale. The second film is set 27 years later as the grown-ups (including Jessica Chastain, James McAvoy, and Bill Hader) re-assemble to fulfill their pact to face Pennywise once and for all. From there, Georgie’s brother Bill (Jaeden Lieberher) and his misfit friends-including foul-mouthed Richie (Wolfhard) and tomboy Beverly (Sophia Lillis)-must face the terrifying entity. (Many compared it to TV’s Stranger Things, both of which starred Finn Wolfhard.)Īs it begins, little Georgie runs into the sinister clown Pennywise (Bill Skarsgård, so chilling it’s no joke) while chasing his paper boat down the gutter. The first film retains an intimate small-town feel, moving along in small episodes, rather than broad strokes. Director Andy Muschietti ( Mama) pulled it off in epic style with two films: It (2017) and It Chapter Two (2019), together running slightly more than five hours.
#Best netflix movies horror tv
Perhaps Stephen King’s best novel, the mammoth 1,000-plus-page It was adapted into a passable 1990 TV miniseries, but it was years before anyone would attempt to bring it to the big screen. Pennywise the Dancing Clown (Bill Skarsgård) brings a special kind of evil to Derry, Maine in It. Instead, she enters a world of nightmares.ĭirector Bailey-Bond, whose feature directing debut this is, really sinks into the forbidden world of those old VHS chillers, changing her aspect ratio and using fuzzy FX and stark, bold lighting to suggest menace as well as an increasingly slippery grasp of reality. (Despite all evidence to the contrary, Enid believes her sister is still alive.) So, she tracks down the film’s director, Frederick North (Adrian Schiller), to find answers. While viewing one film, she becomes alarmed by a story of two sisters that mirrors her own life, and the day her own sister went missing. Enid’s job is to go through these “Video Nasties” frame by frame and edit out anything that could be considered morally corrupting. It’s the mid-1980s and decent folks everywhere were afraid of the gore films that had begun infiltrating the home video market, and what their influence might be. Niamh Algar is highly effective as the dewy, wounded Enid Baines, the title censor, who works for the British Board of Film Classification. Prano Bailey-Bond’s Censor is a clever, creeping meta-horror story that recalls a time when the genre was considered dangerous. In the 1980s, film censor Enid Baines (Niamh Algar) goes on a nightmarish quest to find her missing sister in Censor. And, through archival footage and recordings, Helen Lyle (Virginia Madsen) haunts the new film as well.
Teyonah Parris plays Anthony’s art gallery director girlfriend, and Vanessa Williams reprises her role from the original film.
Her sturdy screenplay-co-written by Jordan Peele-neatly balances discourse with terror, and manages to feel urgent rather than disposable. DaCosta ( Little Woods) uses a hypnotic color and visual palette across the film, including a crafty use of silhouettes for flashbacks. The legend inspires him to create a new art piece, entitled “Say My Name.” Unfortunately, the monster is summoned once again-played, as always, by Tony Todd-and begins to create fresh havoc. Rather, it takes the old story and traces a new path through it, asking questions about art, storytelling, appropriation, gentrification, and the Black Lives Matter movement.Īn artist, Anthony (Yahya Abdul-Mateen II) learns about the legend of the Candyman, who terrorized the Cabrini–Green housing projects decades earlier. Nia DaCosta’s Candyman (2021) is something more than a reboot, remake, or another sequel. While inspired by Clive Barker’s 1985 story “The Forbidden,” the original Candyman was released in 1992, followed by two sequels. Anthony (Yahya Abdul-Mateen II) finds artistic inspiration in a terrifying old legend in Candyman.
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